The Sound of the Hours (Bloomsbury, 2019)
Divided by loyalties, brought together by war
September, 1943. Tuscany, Italy.
In the hilltop town of Barga, everyone holds their breath. Even the bells fall silent. Everything Vittoria Guidi knows and loves is at risk. German troops occupy the mountains around her home, as America’s Buffalo Soldiers prepare to invade. As Vittoria’s country is torn in two, so is her conscience. Should she side with her Scots-Italian father or her Fascist mother? Should she do what she is told – or what she believes in?
Frank Chapel, a young, black American soldier fighting with the Buffalo soldiers for a country that refuses him the vote, is unlike anyone Vittoria has ever met. In the chaos, they find each other – but can their growing love overcome prejudice and war?
Justine is running for her life. Escaping a city and a man who between them have almost broken her she heads north to the mountains and the valleys of the Highlands. She is looking for somewhere to hide.
Michael and Hannah are also running. With their two sons and their tattered marriage they have come to the village of Kilmacarra. They are looking for somewhere they can once again call home.
In a place of standing stones – an ancient landscape in a country on the brink of change – a shocking accident causes their lives to intertwine. Tangled together in threads of guilt and love, with Scotland rushing towards a referendum and the community around them fracturing, each must question where they truly belong.
‘Not every novelist has Campbell’s powers of observation or forensic sense of empathy … one woman’s struggle towards [independence] set against a nationwide attempt to define it’ The Herald
‘Soars and sears in equal measure … Brilliant, unputdownable storytelling’ Mel Giedroyc
‘Engrossing, entertaining, and thoroughly readable’ James Robertson
‘A beautifully written novel about freedom and forgiveness … Heated, political and lyrical, this is an excellent, topical novel’ Viv Groskop, Red Magazine
‘Campbell is a vivid, distinctive writer who creates characters and stores we really care about […] Gratifyingly, Campbell avoids easy answers, showing us that the pieces of most unions, personal and political, rarely fit neatly together, that true feelings comes into them unexpectedly, beyond the parts of our lives we think we can control’ New York Times Book Review
‘Campbell’s protagonists are sympathetic, distinctive, and believable and she writes with a strong sense of irony that lends dark humor to the story’ Publishing Trends
This is Where I Am (Bloomsbury, 2013)
‘This is the type of rule-breaking that separates the good from the great. Proof of Life places Campbell firmly in the latter camp. Ambitious, entirely authentic, and razor-sharp in its observations’ www.bookgeeks.co.uk
‘Campbell, an accomplished wordsmith, excels here. You can touch and smell her Glasgow November dreichness, but always her images are unexpected, her prose tight, and her narrative unflinching. As a former Strathclyde Police officer, she has no illusions about the pressures and compromises, the dogged determination and unlooked-for heroism, of the job. This is no police procedural – her officers are raw and real… The denouement is head-behind-cushion nightmarish, brilliantly done’ Scotsman
Promotion to uniformed Chief Inspector in a new division should be a turning point for Anna Cameron. But, as her mother grows desperately ill and an old woman disappears from a Glasgow care home under suspicious circumstances, Anna is forced to confront the realities of her own aging, and the choices she’s made in life. Dedicated to a profession that seems to offer her less and less, the spectre of her new, bullying female boss makes her question the politics of policing afresh. The gang-related murder of a young Asian boy, and an assault on one of her officers only serve to turn the screws tighter – can Anna be both a good cop and a good person?
‘A fine, accomplished novel . . . The characterisation is impeccable… a true literary talent’ Scotsman
‘As to be expected from a former police officer, Campbell portrays her milieu with harsh authenticity, and Anna Cameron is wholly believable in her unheroic role. Glasgow and its citizens are described with vivid passion’ The Times
Newly qualified as a firearms officer, Jamie Worth is called to a domestic disturbance. Events get out of hand, and he shoots and kills an unarmed girl. Already wracked with guilt, he is horrified when, with the media baying for blood, he is accused of murder. How can a cop survive in prison, when he suddenly finds himself on the wrong side of the law?
‘The plot is wonderful, the characterisation of a family in crisis sharp and sympathetic, and the author does not shy away from examining the less palatable aspects of relations between the police and the public’ Guardian
‘Powered by stiletto-sharp prose…this vividly illustrates the physical and emotional damage caused to police officers by the vile reality of their work’ The Glasgow HeraldAbout Karen Campbell